Primarily based on leisure journalist Michael Ausiello’s 2017 memoir, the movie tracks the connection between Michael (Jim Parsons) and his photographer husband Package Cowan (Ben Aldridge) from its starting to its unhappy finish, which is greater than hinted at within the guide’s subtitle. Spoiler alert: It’s a tear-jerker. At a latest press screening, the studio despatched alongside tissues with “You would possibly want these” emblazoned on them. These tears are earned by grounded performances and a strong screenplay (by TV author David Marshall Grant and intercourse columnist and creator Dan Savage).
When the protagonists meet, Michael is a teetotaling, vegetarian author for TV Information who’s prepared for a verbal throw-down with anybody who disrespects “Felicity.” Package is a little more of a hedonist, with loads of informal hookups below his belt and weed on his nightstand. It’s not love at first sight, and their connection isn’t a simple one. Every man grapples with emotional baggage; there are conflicts about monogamy, Package’s selection to stay partially closeted and an obsession with a childhood TV present. (To disclose extra would kill the film’s most hilarious scene.) Through the years, the 2 remodel and develop and bicker and watch “RuPaul’s Drag Race” collectively. In different phrases, they stay their lives. Then comes a grave well being analysis for Package, and with it the gut-punching revelation that they, like the remainder of us, have been dwelling on borrowed time.
Director Michael Showalter (“The Eyes of Tammy Faye”) has assembled a stellar forged and guides them nicely. Parsons is likely one of the few actors who’re simply as fascinating to observe after they’re listening as after they’re talking; he’s absolutely current in every second in a means that elevates his efficiency above potential treacle. Aldridge has an unenviable process: enjoying a really sick particular person, accompanied by all of the required tropes. Nonetheless, he manages to make it clear that Package is not only a affected person, however an individual. As Package’s mother and father, Invoice Irwin and Sally Subject are pretty collectively; Subject specifically is blazingly humorous, whereas breaking your coronary heart.
The script is an asset and, at occasions, a hindrance: Mike and Package share fast banter, however generally their dialogue pulls again and slows down, proper earlier than going full Aaron Sorkin. The one gimmick that doesn’t work is the movie’s reliance on flashbacks to Mike’s childhood, that are shot and written like a Eighties sitcom. It’s a way that has promise initially however by the tip solely serves to distract. It’s as if the filmmakers have been so dedicated to the shtick that they couldn’t discover when it grew to become an issue.
Simply as Package isn’t outlined by a well being disaster, “Spoiler Alert” isn’t outlined by its less-than-happy ending. The movie’s focus is the life the 2 share, not what follows. Sure, the ultimate scenes are brutal and grueling and terrible, but in addition pretty — and by no means manipulative or exploitative. Not like so many “sickness motion pictures” — I’m you, Nicholas Sparks — Package’s life will not be mined for the teachings it teaches us.
In “Spoiler Alert,” dwelling is its personal finish. Finally, the film tells a narrative about two lives: difficult, crammed with each love and ache, however nicely and absolutely lived.
PG-13. At space theaters. Accommodates sexual materials, drug use and mature thematic parts. 112 minutes.